My favorite view, run through my new favorite tool: Photoshop’s Super Resolution algorithm. My six-year-old laptop chugs a bit when running it, but the results are worth it; I recommend clicking through to see the detail in Berkeley’s South Campus.
Category: Berkeley
Stone to City
While my normal images capturing the “civilization gradient” tend to be more focused on space (traversing from nature to dense urban areas), I sort of like the way this image reminds me of a traversal through time, from the Stone Age to the Information Age. As William Gibson says, “The future has already arrived—it’s just not very evenly distributed.”
Or perhaps it really just reminds me of the vantage point from Caspar David Friedrich’s “Wanderer above the Sea of Fog“.
Berkeley Hills Vegetation
Every Detail of the Bay, Redux
This image is another in a series of my re-processings of less-than-new RAW files with Photoshop’s “Super Resolution” machine learning algorithm. As in those other cases, the added impression of detail is particularly astonishing when viewed at full size after clicking through to the original image on Flickr.
Above It All
Graffiti Logs
Picnic with the Bay
Trees and City
The East Bay’s tree-lined streets make for a calming juxtaposition with “cloud city” wall of buildings and marine layer across the water.
July 4th Special
Marina and Marine Layer
Sather Tower and San Francisco
In the United States, the ubiquitous Neo-Gothic architecture of college campuses is an intentional throwback to far more ancient campuses in Europe. From a present-day perspective, of course, the “new” campuses of the east coast have existed for long enough that the anachronistic campuses now blur into a single time period called “old”. On the west coast, however, structures like Berkeley’s Sather Tower (a.k.a. the Campanile) are clearly artificial additions in the otherwise-contemporary landscape.
Civ Gradient Redux
Going back over some of my favorite images with “Super Resolution,” there’s no way I was going to skip a second shot at my image that first captured the “civilization gradient” from nature through suburbs to dense urbanity.
Watching from Grizzly Peak
One of my favorite images, taken in 2017, captures a person watching the Bay Area sunset from Grizzly Peak. When Photoshop’s new Super Resolution processing brought me back to some of my images from the same vantage in 2013, I was surprised to realized that I had already captured a very similar image. The difference between the burned-out foreground of 2013 and the lush grasses on 2017 is particularly interesting.
California Hills, Framed
Tree Island
While there’s a real island in the distance on the left side of this image (Angel Island, in this case), the steep Grizzly Peak hills and the road over them transform hilltops into “tree islands” like the one on the right.














