HDR Photography
Dublin in late autumn has a damp energy that I found unquestionably intriguing; the optical artifacts from shooting into the setting sun do a fair job of approximating the feeling that every bit of asphalt and brick have some eerie effect taking place beneath them.
And a bonus Piper shot from just about the same moment as we explored the city.
A cliff face may not seem the optimal spot for a tree, but there will always be specimens that go against the grain. (I couldn’t help myself.) The lights of the granary barbecue across the lake almost makes me think that this particular tree is pining (again, I’m sorry) to pick up its roots and go join the party.
Rather than a fortress in a forest, this is a fortress composed of forest—or at least, it feels that way. While the far-off mountains and the lights of Palm Springs may be visible from the air, the ground-level setting is far more constrained and cozy.
P.S. Can you spot your humble photographer in this shot?
The beach pictures from La Jolla Shores inspired me to revisit some of my other past beach shots—but these are from a bit farther away: Florianopolis, Brazil.
Applying the same low-contrast processing really revealed a lot more of the details on the clifftop figures. I’m amazed when I compare these shots with similar ones I processed years ago. It’s amazing what a decade of practice can do!
A big dramatic sunset sky and lake reflections provide great context to the wall of stone that is both Mohonk Mountain House itself, as well as the cliffs on which it rests.
The two people looking over the idyllic setting of Mohonk Mountain House from a clifftop gazebo makes this an official entrant in my “the view and the viewer” (alongside this one, this one, probably this one, and definitely this one.)
Much like another shot from Mohonk that I recently shared, the constructed-yet-natural space of Mohonk Mountain House makes finding these kinds of framed images a treat.
Like a less-pointillist “Un dimanche après-midi à l’Île de la Grande Jatte“, a flat body of water covered in boaters on a sunny afternoon conveys placid vibes.
Trinity College Dublin’s Campanile forms a center of reflection symmetry on campus—one broken, in this case, by pedestrians, clouds, and construction equipment.
After a teaser from the climb up on Friday, here is the full view from the top of Mohonk’s Skytop. This high-resolution panorama is definitely worth clicking through to Flickr for the full-sized version. There’s a lot here: the hotel and its namesake lake, but also the trails and conserved forest space around it. The water retention pond in the foreground is the semi-secret reason for Mohonk’s continued existence: though there were a variety of all-wood structures like Mohonk in the past, most have burned down over the years. This is the water source for the Mountain House’s fire suppression system, which was installed early and has preserved the structure through tribulations.
If that picture of Skytop from last week sparked the question, “What does the view look like from the top?” I’ll meet you halfway; this is the view from the climb up. (The rest of the view will come Monday.)
That cliff face exploding from the trees is part of the Shawangunk Range of mountains, home of Mohonk Mountain House.
The line where the crown of trees around Lake Mohonk gives way to the much-farther-away trees of the valley beyond looks like the sort of trompe-l’œil that might, these days, be generated by a glitchy machine learning algorithm. In this case, however, it’s just down to the unique mountaintop-lake location of Mohonk Mountain House
On the path to Mohonk’s Skytop, this gazebo hangs into empty space. The Bob-Rossian layers to this image make the uncanny perch even more dramatic.
With so many tall, vertically oriented structures in a city, it’s probably no surprise that some of them should fall into pleasing alignment with one another. The modest glow of sunrise light through the gap between the clocktower and the adjacent building provides a friendly spark to guide the eye to the center of this image.
In this second case, it’s harsher Sun, rather than palm trees and clock towers, that has found its way into a special alignment through the streets of San Diego. Bright light falls into this canyon that should otherwise be dawn dim.
Far in the distance of last Friday’s post was Mohonk Mountain House’s swimming area; I thought it deserved a closer look. The glacier-formed cliffs, tall trees, and array of wooden structures reminds me (oddly enough) of a Shinto shrine—though obviously without the spiritual aspect.
Decaseconds 