Winter Light Cones

Information cannot move through the universe (as far as we know) any faster than the speed of light. In the hyperbolically shaped world of spacetime, all factors that could influence my current state are in the “light cone” behind me, and all factors that I can influence in the future are in the “light cone” ahead of me. This photograph, from during a particularly nasty winter storm, exhibits light cones of another variety.

Winter Light Cones

Edge of the Big Forest

In this particular corner of Connecticut in early spring, the rain and snow combined to make the perfect storybook fog. This image is so quaint and charming, I could swear I’d seen it somewhere before.

But this brings me to another idea: those particular locations in landscape photography so scenic that they are literally ubiquitous. Take the tunnel view in Yosemite, or shots of the Golden Gate Bridge from the Marin Headlands, or downtown Manhattan as seen from the top of Rockafeller Center as examples: is it even possible to make an original composition from such a photographically saturated place? But these places are also photographically saturated for a reason: they’re really, really pretty. Where does that trade-off between originality and beauty fall?

Edge of the Big Forest

Icicles, or Almost Canada

Dotting the road to Ogdensburg’s bridge to Canada are tiny, abandoned houses like this one. It’s rather charming, and just a bit sad, but mostly it reminds me of Neal Stephenson’s Anathem, and the obversations that a society can retreat from the frontiers and back into the cities over time. Sprawl and civilization are not inevitable.

Icicles, or Almost Canada

Hydroelectric on a Blackwater River

There are few natural features that look colder than a rushing blackwater river when the air temperature is below 0ºF. The convergence of this little reservoir to the far-off (and equally miniature) hydroelectric station neatly contrasts the frigid setting with the optimism of twentieth-century technocrats. (The Adirondacks are dotted with an improbable number of tiny hydroelectric stations.)

Hydroelectric on a Blackwater River

Two Trails

I present to you a pair of photographs:

The first is from Muir Woods on the Marin Peninsula of California. That morning was rainy and the colors are rich and dark and the setting is some natural/romantic variety of Baroque. Practically overwhelming.

Rain on Endor

The second is from Stone Valley this weekend, dry and crunchy with snow, the river mostly frozen at the surface, with currents of dark water beneath. More minimal, more quiet, more subdued. But is this trail any less beautiful than the first?

Another Winter Hike

Snowed-Outing Club

The St. Lawrence University Outing Club always has something interesting set up outside their house, no matter the season. Even when they’re away on break, the frames and supports and ground-work for some crazy stunt of the future are ready. This peaceful moment seemed uncharacteristically placid and I just had to capture it.

Snowed-Outing Club

Ski Lawrence University

In case you were wondering where I get the expression that St. Lawrence University looks like “a ski resort without the ski slopes,” last weekend provided some pretty good evidence. The modern-but-slightly-Nordic buildtings, the oft-cleared pathways, and the gates with reflective tape on them all remind me of ski lodges. Perhaps the best way to describe the school during winter break is a ski lodge for cross-country skiers?

Ski Lawrence University

St. Lawrence Winter Otherworld

No cropping, no HDR, and only minimal post-processing were applied to this image. Wandering in a snowstorm with a prime lens felt, well, primal, and I wanted an image that captured that. I know that there’s no such thing as the “true” photograph of a place or a moment, but at the edge of St. Lawrence’s campus, at this particular blue hour, the magic needed no adulteration.

This is the kind of image that I look back on the most: the ones with the strongest sense of place, the most obvious path to escape into the image. As we start a new year, I’d like to think that it’s a mark of my increased confidence as a photographer that I can make more with less. (Though don’t get me wrong—there are times when I’m glad to be able to make something out of nothing.)

St. Lawrence Winter Otherworld