HDR Photography
An almost-island was hiding in the background of this photograph of Stone Valley. Most of my childhood adventures involved sorties from some kind of tree-based fortress; this formation silhouetted against the setting sun reminded me of those adventures. Or maybe just the fort from a particular film. (Even it’s neither truly secret, nor a fort.)
When chemists study water, the molecular-level view offers a lot to consider. Bulk water takes on two fluid phases and seventeen (depending on who you ask) solid phases, from a physical scientist’s perspective. That’s my normal mindset. Even when I see liquid water in a photography, however, I’m astonished to see wispy white tendrils and glassy surfaces that are all created by reflection and scattering from the same material.
Classic Stone Valley! A few minutes and meters down the trail from Monday’s image, I caught my favorite part of the hike at a great time of day. Previous trips to this this spot turned into rehearsals for navigating slippery rocks. This has turned out to be one of my favorite pieces of nature photography, but there’s more to come next Monday.
Except perhaps in winter, I’ve always hiked when the sun was high in the sky and settled in before sunset. I have always wanted, however, to capture some dramatic nature scenes with a crazy sky, so this weekend I went sunset hunting. This shot, appropriately, is from early in the night. Later in the week, I’ll be showing more of the shots as I hiked on and the sun disappeared.
If the weather is just right and recent rain has the Raquette River running high through Stone Valley, a summer hike is just the thing. A geologist would have the technical explanation of the valley’s odd geometry. The hydroelectric dam secretly controls the scene (or the water release, anyway).
The scale of the setting doesn’t really become apparent until you try to spot the tiny people (chemists and physicists, in this case) on the rocks. Bob Ross would be proud.
As with my photograph of the Seattle Public Library, I’m exposing my inner hipster with these images. Double exposures had an element of serendipity and excitement when they originated from film cameras. I guess I’d call these more studies or experiments in how to bring together the landscape images I’ve enjoyed creating with the portraits I find myself taking for practical purposes: LinkedIn, passports, school webpages, etc.
With these imagines, in particular, I’ve played with the idea of “stacking” the face and the main subject of the other image (be it lighthouse or galaxy NGC1275 overlay data from the Hubble Telescope).
Students hike the cliffside where geological formations collide. On July 4th, let me compose an overly-ornate sentence about the season and the nation.
“Summer hiking in the North Country of America, at the edge of the Adirondacks: stripes of chlorophyll and aluminosilicate and tanninful water.”
Adirondack-meets-elven style in this bridge over the Grasse River. The lights seem inviting; that’s probably appropriate, given that this is the bridge connecting SUNY Canton’s campus with the town proper. (I’ve explored the connection from another angle in the past.)
Though the architectural style isn’t as apparent from this shot, I love the sense of multiple pathways vanishing to infinity: down the river or across the bridge. So many places to go and things to explore. (And some proper long exposure to merit this website’s name.)
Walking by Grasse River under a tree-shaded path sounds romantic. As overtly charming as the sunset hour can be, I find that I prefer the photographic version; there are a lot fewer mosquitoes.
Heritage Park (on the left of this image) on the Grasse River in Canton came into existence through the efforts of many people in the community. Yesterday evening, a fundraising event was held to support those efforts. Nature turned up in full display to support the festival.
The perfect frame appears: trees on either side, gentle river in the distance, and a path to the intersection between them. Canton homes are just around the corner. Civilization can wait. Skinny Bob Ross trees are welcoming the path and the river together. Happy little ferns!
The North Country has rough, glacier-hewn landscapes and a culture of independence. How this area is understood and depicted is often a matter of choice on the part of the photographer. Case in point: the path of the Grasse River, on its way to the the St. Lawrence Seaway. Look at all that beautiful early-spring nature!
But cropping can deceive: if I pan the camera to the right, you see a much different image. The Grasse River travels through downtown Canton, past parking lots and apartment complexes. I think I might prefer the more honest juxtaposition.
The North Country, like many rural places in America, has rugged expanses of nature abutting everyday locations. Example: the Buccaneer Lounge has this marvelous array of rapids just past its charming array of picnic tables.
Too early in the evening and too high in the sky to be a standard sunset: this must be some serious sci-fi gridfire weaponry. The patterns in the Crepuscular rays puts me in mind of MIRV tests, and the scale of the clouds so thoroughly dwarfs the buildings beneath it on the banks of the Hudson River. Connecting spectacular aerial views with apocalyptic power is nothing new, but the twentieth century swapped the power source from divine to human.
This highway in the hillside makes the mountain look rather smug, I think. This is the Han Solo of rocky formations.
Decaseconds 
