First of a make-up double post, this old fountain caught my eye while I was walking through campus playing with my latest lens purchase. The colors and the setting were perfect.
Category: California
Low Tide
Evening is finally rolling around, low tide has rendered the waves gentle, and the beach is pockmarked by the day’s footprints. If you let yourself get lost in the sky and the mild surf, the sights of people disappear and the mind wanders into the sea.
Guest Post: Student Artery
Today’s photograph was taken by Piper Klemm (who has previously been on the other side of the camera), and really conveys the way quads and paths carved into the trees of Berkeley’s campus. The flow of students between classes gives the image the “campus” feel.
KALX: the Catalogue
Berkeley’s college radio station, KALX, recently had me in the studio for an interview about one of my other projects, the Berkeley Science Review. While I was there, I snapped a few shots of their mammoth 100,000 record collection. The size of it really was staggering; it’s sort of amusing to remember that it could all fit on a couple of cheap hard drives. What would be missing, of course, would be the gorgeous, enormous album art and the feeling of vinyl in your hands.
Sea Canyon
This little canyon ends at the beach, and its miniature stream flows back and forth with the tides. On this particular evening, it was starting to rain as the sun set through the clouds. The beach was abandoned, and whole scene felt post-apocalyptic.
Fast at any Speed
To finish off my week of playing car photographer, I present a shot of a very pretty Ferrari 328 GTS which is often seen parked around campus. Here I was really playing with the depth of field, and I may have gone a little overboard. Still, I like the effect, it makes the car look fast, even when its parked.
On the Clock
Though Woodside is a particularly lovely place to begin with, my favorite photographs from the show were from the jumper ring. In the same event that produced this shot, there was more than just jumping. The event is timed, and the agility and speed of the horse/rider team is apparent as they hussle around corners on loose footing.
Green Fiesta
This shot was just taken to test out a new lens and to play with the depth of field, but I like it so much I’m posting it here. There’s something about that lime green that is just asking to be photographed. This is a car that would stand out pretty much no matter where it was parked.
Architecture Future
Today’s photograph comes from the lobby of the newly opened Energy Biosciences Building, where I was lucky enough to get a late-night tour. Here, scientists and students focus on the problem of developing next-generation energy solutions, including biofuels and solar power. Though it will soon be bustling with life, the building is presently occupied by empty offices and cubicle skeletons. The modern surfaces, all wood and glass and brushed steel and matte concrete, really convey the mission.
Tower Crane Sky Squeegee
Tower cranes are, without question, the coolest pieces of modern construction equipment. In order to reach these heights, the cranes actually lift and build themselves! This particular crane is working on building the replacement to Campbell Hall (which we’ve previously photographed being demolished.) On this particular morning, the clouds aligned in just the right way with the arc of the crane and produced this composition.
Rainy Day Bridge
Today’s photo, taken just as the rain started to pick up in the Marin Headlands, is one of my favorites. The alignment of this little bridge to the Golden Gate itself, the harbor, the construction equipment, with Angel Island and the rest of the North Bay off in the distance: it all provides a sense of scale and perspective. The way the warm sodium lamps contrast with the colors of the evening bring your eye to the bridge and its gorgeous structural steel. Rigid geometries contrast with the fuzzy plants of the hillside. This is a picture I want to crawl inside.
Seaside grafitti
If you give people a maleable surface and some privacy they will almost undoubtedly deface it. This is certainly true on this soft, well-worn sea cliff on California’s coast. It was difficult to make out much of the writing but it is evident that someone sure wanted to make sure that heart would endure. Almost makes one wonder if the original artist periodically comes back to touch up and admire their handiwork or if the heart just serves as a painful reminder any more.
Autofeeder
Another from my series of photographs from UC Berkeley’s student machine shop: the autofeeder of a practically-antique milling machine. I love the gold colors from the machine’s recent work in cutting brass, and the was it smears into the other tones of steel and plastic.
Downtown Oakland
The relative safety of the fire trails above Berkeley you can survey most of the rest of the bay, in this case I’ve got a nice vista of downtown Oakland which makes it seem much more reputable (but maybe less charming) than it is when you actually walk into downtown proper. When you’re down in the thick of it all you often forget how green the bay area actually is, something you are reminded of from the hills.
Man’s Geometry II
I’ve always enjoyed photographs where I can contrast the stark geometries of man-made objects with the stochastic curves of most natural forms. (You can see the theme again in Part I.) In this case, I love the hexagonal cross-section and rough texture of the concrete in comparison with the smooth, vibrant waves.
Decaseconds 