The House by the Dunes

This lonely cottage by the dunes and brush of a late-autumn Atlantic beach reminds me of a half-remembered setting from The Spy Who Came in from the Cold near the start of the novel, on the Dutch coast. There’s a lonely quiet to the image but the road and house suggest some respite on the horizon.

The House by the Dunes

A Return Trip to Brazil

New adventures in color grading have brought me back, much as I did with images from Spring 2012, to my Fall 2012 trip to Florianopolis, Brazil. Big changes in how I tackle challenging raw images have produced a drastically different outcome to my photoprocessing.

Quiet Alone at Dusk

The dark rocks and chaotic waves come through in a whole different way.

Dusk Waves Over Broad Stone

So, too, does this sculpture stretched over the water—the purpose of which, if there is one, I’ve still not ascertained.

Costao do Satinho Framework

There’s a sense of texture and place that a dark ocean and bright beach convey together.

Costao do Satinho and Its Beach

I can still remember wandering back to my room at the end of the evening, feeling like I was a visitor to an alien world.

Costao do Satinho International Grid

From the Beaches of Florianopolis, Brazil

The beach pictures from La Jolla Shores inspired me to revisit some of my other past beach shots—but these are from a bit farther away: Florianopolis, Brazil.

Braving the Wind

Applying the same low-contrast processing really revealed a lot more of the details on the clifftop figures. I’m amazed when I compare these shots with similar ones I processed years ago. It’s amazing what a decade of practice can do!

Two Men on a Clifftop in Brazil

Trio vs. Trio

I found myself returning to one of my earliest Decaseconds posts (almost exactly 11 years ago) as I updated my Top 32 album on Flickr—the digital portfolio where I display my best (or simply favorite) photographs. Finding “Waves and Rocks Dwarf Man” in that set, I saw both the excellent light and composition that my old Nikon had captured in 2011, as well as all of the places where my choices in processing the original image now left my unsatisfied. Rather than simply reprocessing that original image, I went back to the folder of camera raws from that day and selected an image I took just moments later to tackle. (Always keep save those raw files!) I not only like this composition better than the older one, but I also feel that I have brought something new out here, rather than simply reprocessing something old.

Trio vs. Trio

Saturday Afternoon on the Pier

Spending an afternoon on the pier in Pacifica, CA is as good a time as any. Crab fishing has its varied sets of tools and techniques, but the experience to me has been about more than that. Cooking on a portable hibachi and getting crusty with salt spray is the real core of the process.

Saturday Afternoon on the Pier

Saturnalia Sunset

One of my favorite times (of the entire year) for photography is after Christmas dinner. Life is slow and sedate, and it matched the placid(ish) rolls of the Gulf of Mexico perfectly. Even the shapes of people are soft and indistinct—an impressionist’s idea of a family playing in the waves. Spending the holidays in Florida has a certain appeal.

Saturnalia Sunset

Beachtime

How do you write about a boy playing on the beach in southern Brazil without resorting to cliché? I’ll have to tackle it, in any case. Summer is ending, weekends at the beach are numbered, and I wanted to make a weekend post just to show this photograph that so effectively conveys the feeling of being the last person at the beach. Even when it’s time to go home, we can still hope for one more wave.

Beachtime

Crashing California Cliffs

Not far from Muir Woods, the Pacific coast cliffs of California are a starker, steeper, and foggier place than I expected. The nearly sheer cliff face, the scraggly trees hanging on for dear life, and the weather- (and person-) beaten railings make the whole place feel mythical. The fog density hit just the right soupiness on this particular day; we could just barely see and hear the waves crashing on the rocks below.

Crashing California Cliffs

Sand Fortress IV

Another in my ongoing series of sand castle photographs (see I, II, and III), this shot comes from the gorgeous coast of southern Brazil. While everyone else is off playing in the surf, these two boys stayed behind on the beach to construct this complex of truly epic sand castles. (That sand castles are as wondrous and short-lived as childhood is perhaps too trite a metaphor for me to acknowledge in any way beyond the parenthetical.) I just love the universality of building sand castles on the beach–from the east coast to the west, and the from the northern hemisphere to the south, it’s a worldwide past time.

Sand Fortress IV

Pirate Island

As a child, I held on to the fantasy of discovering a secret island all my own–one stocked with secret forts and pirate treasure and relaxing fishing spots. During our trip to Brazil last fall, I was entranced by the rocky but just-the-right-sized islands off the coast of Florianopolis. If I could have only gotten out there, I know pirate treasure awaited me.

Pirate Island

Crashing Wave Path

Far along the beach, the Atlantic waves crash against Brazilian stone. The Sun has just dropped behind the horizon, and I’m standing on these steps beyond a strange little pseudo-bridge and this odd sculpture. To this day, I’m still not sure whether it’s functional, or purely decorative.

Crashing Wave Path