Resilient Dahl/Miyazaki House

The steep-roofed Belgian structure in the distance (now T’ile Maines) is a relaxing venue on a Belgian island in Mechelen, but a foggy winter evening makes it look more like the sorts of charming/mysterious structures that populate the works of Roald Dahl and Hayao Miyazaki.

Resilient Dahl/Miyazaki House

Madrid Obligatorio

In December, our transatlantic flight to New York turning back near Greenland, spending hours in the air with an unknown mechanical error for returning us to the Madrid-Barajas Airport. After an all-too-brief but restless night in a mediocre Spanish hotel, we were back at the airport early the next morning for a second (and ultimately successful) attempt at an Atlantic crossing. Several hundred people waited to board. I looked out at the horizon; the landscape was strange, alien, surreal, but ultimately a lot more welcoming than the cold dark of the North Atlantic. The image will stay with me.

Madrid Obligatorio

Simon Stålenhag Snack Bar

The retro-futurist art of Simon Stålenhag places intimate, perhaps even old-fashioned scenes in the foreground of images with strange, alien machines in the distance. A lone pair of nighttime snackers waiting at a slab-sided friterie trailer in the environs of the authentically 1950s Atomium represented such a real-world manifestation of the phenomenon that I had to stop and capture the scene.

Simon Stålenhag Snack Bar

Turn and Burn

This CSI5* speed class pushed riders to their limit; few managed the entire course with neither rail nor speed penalties. I was capturing photographs from the last turn in the course, where riders who were still jumping clean turning to blast down the final line to the finish. Watching them put on a final burst of massive speed was dramatic, as in this case with Hans-Dieter Dreher and his mount Jiniki.

Turn and Burn

The Atomium’s Cyberpunk Elevator

When the elevator at the core of The Atomium was first installed in the 1950s, it was the fastest in Europe. I can attest that even decades later, the effect of its speed while rocketing upwards 100 m is unsettling. The surrounding bundles of data and power cables that have accrued inside the elevator shaft over the intervening decades has subsequently added a strongly cyberpunk twist to the experience. Gibson would be proud of the repurposed space: “The street finds its own uses for things.”

The Atomium's Cyberpunk Elevator