HDR Photography
There are many ways to define the seasons, with varying degrees of usefulness. (Solstices and equinoxes seem to have only the thinnest connection with the weather.) Perhaps the most valuable differentiation between times of the year is when one can reasonably be out on the water: “Spring” is that first moment when an afternoon in a canoe doesn’t sound miserable.
Even the grandest of hotels have infrastructure that supports the guest experience. For a grand old hotel like Mohonk Mountain House, that infrastructure is charming enough to be interesting in its own right.
Those early-twentieth-century structures—boilers and exhaust stacks and hand-painted signs noting the protocols for refilling the massive fuel oil tanks.
Deep night colors on the snow cliffs contrast with the warm glow of the hotel; this could be an infrared image, mapping the local temperatures.
Mid-March shift from my most photographically productive time on the West Coast (amazing sunsets, end of the rainy season, etc.) to my least in the East (dirty snow, still-bare trees, sandy roads). I’ve been trying to find more beauty in the pre- and post-winter “stick seasons,” examining the shapes revealed when leaves and snow can’t hide branches. Though I’m not yet convinced to do anything more than grudgingly accept its necessity, but it led to some pretty dramatic reflections at Mohonk Mountain House.
Rolling hills (in this case, outside Park City, Utah) normally vanish into Rayleigh-scattered blue haze. (That was particularly the case this summer in Utah.) The magic of a red filter for black and white photography is to simultaneously reverse both the fading and the bluing effect. The result are landscapes like this that seem to go on “forever”.
See Mt. Shasta rising from the forests around it, all snowbound and rocky. Perspective may push them together, but the difference in scale between trees and mountaintops is staggering.
Another image from the flooded Bonneville Salt Flats.
So flat are the Bonneville Salt Flats that, during the winter months, the region will be covered uniformly by only about one inch of water. This layer is so thin that it can’t support large waves and surface disturbances, resulting in almost perfect reflection of the far-off hills and clouds.
Assembled by the same volcanic activity, California’s Mt. Shasta (left) and Black Butte (right) make for charming mirror-world contrasts of each other, like The Magician’s Ember and Umber.
Driving from San Francisco to Portland means passing Mt. Shasta. With the exposure shortened, the array of textures and shadows on the mountain’s snowy surface are revealed.
During last winter’s road trip from New York to California, we were struck by the sheer scale of the American West: one step off the Interstate drops you into an enormous expanse. At the edge of Wyoming’s Black Hills, there’s a Bob-Ross-ian grandeur to enjoy.
Mohonk’s gazebos are a signature of the hotel, and this particular structure is my favorite of them all. It’s not the biggest, or the most elaborate, but it benefits from being built on a concrete island projecting into the lake. At least to my eight-year-old self, that made it by far the coolest.
Mohonk Mountain House’s parlor is far grander than the name might imply. After dinner, it’s the site of live entertainment. That could be a comedian, or a string quartet, or a band, or an animal trainer. The consistent variety could almost be called old-fashioned—matching the tone of the room.
Mohonk Mountain House has grown like lichen across its mountaintop, but its oldest core shapes much of the structure’s identity. Tea time happens at 4:00 PM each day, and guests sit in the array of front porch rocking chairs with their tea during the warmer months.
Just around the corner, gazebos crusted with snow dot the cliffs.
Portraits in the style of intense indie rock album art have always been a favorite of mine. Evergreen branches and melting snow start the package, but it’s the tiny details in the far-off Mohonk Mountain House that really complete the mysterious setting.
Decaseconds 