HDR Photography
Camp Canaras has a central lodge, a merry place of varnished wood and Scotch served neat. Late at night, long after the campers are tucked in, the place takes on a ghostly, abandoned vibe.
Inside, the minor remnants of the party still remain, along with the major remnants of large animals.
Camp Canaras has some remarkable views during day and night, but especially in the morning. There’s a weird collision of action-movie-preparation scene with rustic vibe to a boathouse; the scene captures the sense of possibility for the rest of the day.
As a youth, I read tales of “wandering islands” on the backs of giant sea creatures. As the fog burned off at Camp Canaras, I couldn’t shake the illusion that the island was drifting closer. (Of course, Saranac Lake might make for a disappointingly small range to wander.)
Rainy, early-summer mornings in the Adirondacks seem to go on forever. That first step into tremendously cold water, on the other hand, is anything but foggy.
I spent the early part of this week at St. Lawrence University’s Camp Canaras (like Saranac Lake spelled backwards) for a retreat. Cold and rain tamped down expectations of canoeing; instead, I had an early morning hike in the sound-dampened world of fog.
At night, the camp took on the otherworldly quiet of the Adirondacks after dark.
Today is New Year’s Eve: out with the old, in with the new, etc. Time doesn’t seem to pass in Florida, however—it’s a place that’s always at the dawn of history, the muggy primordial swamp, with the monolith and the howling primates just outside the frame.
When the weather outside is frightful, go to Florida! With sunrises like this to greet me, I might never leave.
There is something enormously satisfying about the moments when a great shot comes directly to me—no setup, no searching, no prep. I looked outside, the scene was beautiful, and all I had to do was compose and shoot. The “easy” feelings keep coming in Florida: I don’t have to shovel any snow, either.
Aerial photography presents a magical, avian view of the world around us, but until I (someday) get a quadcopter drone, commercial air travel is my best friend. (Other than the fact that pretty much all other aspects of commercial air travel are pretty miserable.)
In any case, this photograph of the Columbia River, with Oregon on the right of the image and Washington on the upper-left, does a good job of capturing the strange mish-mash of agriculture, residences, and industry in the Pacific Northwest.
This tiny island sits in Tupper Lake’s appropriately named Rock Island Bay, amid this quintessentially Adirondack-y landscape of rolling hills and coniferous trees. This particular island has always been notable to me because of the degree to which it aligns with my boyhood ideal of “where to hide out.” Swimmable, but just barely for a 10-year-old, from the shore. A tree for the barest shelter and a twig, now and then, from which to craft a fishing hook. When the day of adventures is over, a little island like this one would be just big enough for a boy-sized lean-to for my childhood self. Wouldn’t that be paradise?
On my way back from my conference in Connecticut, I drove through the Adirondacks, where winter is arriving fast. The hills were dusted with snow and all but the most tenacious leaves were carpeting the forest floor. I pulled off the road for this shot in Tupper Lake, where the grasses, placid waters, and stubbly hills matched perfectly with the dense clouds and the random distribution of sunlight. The moment felt chaotic, strange—just a bit primeval. I had a chance to do landscape photography that truly excluded any human intrusion (save the eye of the photographer himself.)
The topology of central Oregon at sunset is really very special: the land somehow has that “falling away beneath you” feeling of standing on a hilltop, that “in the hollow” feeling of standing in a valley, and that “goes on forever” feeling of standing on a plain all at the same time. Combine this with the variety of surfaces and textures to experience (gravel, grass, tarmac, wood, lake, sky, woods), and the experience becomes some hyperdimensional superposition of places and moments in time. With just the right car for the particular evening, you have a recipe for perfection.
I dream of the perfect vacation house, nestled on the shores of some lonely Adirondack lake and stocked with just the right combination of boats and brews and firewood. I project this dream onto this unassuming cabin and its charming beach, nestled on the shore of Mirror Lake.
The seaplanes dotting the shores of Long Lake offer amazing views and transportation to visitors to the aptly-named Long Lake. On this rainy Sunday afternoon, however, they were quietly bobbing by their docks. The 1960s-era motels, the float planes, the miniature beaches and vacation homes: driving through Adirondack Park is like taking a step back in time. (The complete absence of cell reception furthers the effect.)
On my way through upstate New York, I paused for a day in Lake Placid. This strange Alpine-style town is the home to the US Winter Olympic training efforts, but also happens to have a gorgeous series of lakes and forested Adirondack mountains nearby. Tiny boathouses and grandiose hotels dot Mirror Lake, but this single, ideal little sailboat (with its appropriately patriotic sail) seemed apart from them all. The photograph shows the effect: the boat is isolated on the mirrored surface of the lake, apart from the summer business on the shore.
Today’s guest post comes courtesy of Colin Hill.
Here is the boat lauch ramp on the shores of Lake Pontoosuc, just north of Pittsfield, Massachusetts. Although spring has arrived and the sun takes longer to disappear behind the mountains in the distance, the water is still icy cold to the touch.
Decaseconds 