Merry Christmas from the frozen ice of the Berkshires’ Twin Lakes.
Category: Connecticut
Port in a (Snow) Storm II
I’ve taken a few pictures around Salisbury, CT in a snow storm in previous years. When the snow is drifting down and the charming New England buildings look inviting, the setting is perfect for feelings of home.
Calcifer
Salisbury After the Storm
Winter arrived in the Northeast with maximum attitude: from 66ºF on Saturday morning to a full-on blizzard by Sunday. In Salisbury, CT, home of ski jumps and wood-lined hotel bars, we got to experience the odd dynamic of watching Porsche and Mercedes SUVs claw through the snow. The classic White Hart hotel was looking its best.
I tested my DJI Phantom 3 Advanced in the post-storm conditions. Almost-freezing, windy conditions didn’t have an impact on its flight performance, but the gimbal didn’t seem too thrilled. Some of its smooth elegance was lost… Or maybe it was just the wind.
Untitled
Up, Up, and Away!
Grand Prix jumps are in the range of 2 meters. Horses jump over them. I can’t quite reconcile those two sentences in my brain, even while I’m watching it happen. The action is literally superhuman. I thought it was extra-appropriate that this horse had a saddle pad recognizing the fact.
Snow Farm
‘Neath the Elms
Summer on a college campus (with all of the energy of a reunion weekend) buzzes and burbles with the remembered excitement of perfect afternoons. On the quad of Trinity College, in the shadow of elm trees and the enormous Neo-Gothic chapel, this reaches its apex. I particularly enjoy the father and son talking on the bench in the foreground, adding a touch of the intimate to an otherwise crowded scene.
Edge of the Big Forest
In this particular corner of Connecticut in early spring, the rain and snow combined to make the perfect storybook fog. This image is so quaint and charming, I could swear I’d seen it somewhere before.
But this brings me to another idea: those particular locations in landscape photography so scenic that they are literally ubiquitous. Take the tunnel view in Yosemite, or shots of the Golden Gate Bridge from the Marin Headlands, or downtown Manhattan as seen from the top of Rockafeller Center as examples: is it even possible to make an original composition from such a photographically saturated place? But these places are also photographically saturated for a reason: they’re really, really pretty. Where does that trade-off between originality and beauty fall?
Melting Landscape
When the crust of winter slides off the landscape, the points and lines of the resting geometry beneath are exposed on foggy days like these. In Duchess County, where Connecticut meets New York, the density of the post-winter effect is damp. It has its own beauty, apart from snow-blasted winters or verdant summers. (And by contrast, this “melt season” represents a major chunk of the North Country’s spring attitude.)
Knight
This frozen moment of energy and will and concentration captures Lillie Keenan in the Grand Prix at the 2013 Fairfield County Hunt Club June Benefit Horse Show. Though it’s the incredible 2-meter jumps that really capture the attention in these events, for my moment, it’s the rocket acceleration leading up to a jump that makes for far more drama.
Long Walk Aliquot
The last golden photons, their combination of diffuse and specular reflections bouncing from the windows of Trinity College’s Long Walk, are the perfect additions to the final moments of a crisp winter afternoon. This photo captures only a small section of the full stretch of Long Walk, which I still find rather astonishing.
Summer at Trinity
Vernon Street Night
The Fall and the Pool
A year ago, I stood atop this waterfall in the corner of Connecticut, relaxing and hiking in the last few days before I traveled north to Canton to begin the faculty life. There are three things that this image captures:
- So many waterfall pictures use a long exposure to smooth the water into some blurry, surreal, Platonic ideal of flow. The effect might be pretty, but that effect is also a lie about the true experience of the crashing and splashing. Let’s get some spray in here!
- Poetically standing atop a waterfall in a wood, with a calming pool nearby, seems to me less a cliché than something that is consistently authentic across the American experience.
- Nostalgia may power a lot of my images, but it’s a force that only works retroactively. I would feel very different about the image if I’d promptly slipped and trashed my camera. Can that “dodged danger” exist within the image itself?














