Brick to Great Heights

Nearly every surface in this image is brick. From the alleyway to the retaining walls to the towers: brick, brick, brick (or pavers). I understand sheathing a structural steel building in glass or densglass or (heaven forbid) “exterior insulation finishing system,” a.k.a. Dryvit, but the kind of person-hours necessary to assemble all of that orderly brick is mind-boggling.

Brick to Great Heights

Stealthy Empire State Building

Can a building hide? Or surprise? Or sneak?

The Empire State Building, hiding at the other end of 34th St. in Manhattan, seems to support the possibility. The canonical modern New York street scene, one of luxury cars stuck in traffic and smoke from cooking street meat and old industrial buildings being converted into high-end condos, can still surprise. One step away is another scene built of different buildings and people in view.

Stealthy Empire State Building

Stone to Steel

The new structures of Hudson Yards are rising above the old rail yard and the old/updated High Line. The mix of old and new is a little obvious, but it’s one of the aspects of New York that I appreciate the most. The same species that made flint hand axes and mastered fire also developed structural steel. Perhaps the High Line’s gravel and 10 Hudson Yards‘s work-in-progress faces represent that.

Stone to Steel

Man Beneath the George Washington Bridge

In in the instant before the train passed under the George Washington Bridge, I took this picture, distorted by motion and extreme angle, of a lone man standing on the hillside above the train. That silhouette, isolated against the sky and near the framework of the bridge, is the stuff of conspiracy theories. In this case, of course, it would be the most mundane theory.

Man Beneath the George Washington Bridge

San Diego Morning

Time zones are a source of confusion and consternation (seriously, they’re insane to deal with). Jet lag can be surprisingly disruptive. There are some temporal challenges to transcontinental (not to mention intercontinental) travel.

But sometimes the time zones align and travel makes waking at dawn trivial. To get a view of the San Diego skyline with the perfect mix of lighting and color, and with minimal sleep deprivation, was a treat.

San Diego Morning

Needle Buildings Above Central Park

There’s no better place to see the abrupt transition from the semi-“undeveloped” to the densely urban than the edge of Central Park. Trees give way directly to the new generation of “needle buildings,” these spiky skyscrapers that have attracted: (1) big money from Russian kleptocrats and (2) complaints from fans of New York’s traditional architecture. I might be sold on the futuristic spires for their sci-fi appeal.

Needle Buildings Above Central Park

OMNI, Again

Traveling back to California for the first time since I left in 2013, I realized I had forgotten the little but important differences: the streets are crowded with cars instead of trucks and the air is saturated with a different set of volatile organic compounds.

From another perspective and at another time, this photograph captures the same Omni hotel and Petco Park from one of my earliest Decaseconds posts, almost four years ago. How odd to be back again.

OMNI, Again

Three Views of Downtown Seattle in the Summer

The year has nearly come to an end, and winter has finally arrived in the North Country, but before I look to the future, I wanted to take another look back at my summer travels to the West Coast, and particularly to Seattle.

An early morning stroll brought almost-empty streets and golden hues.

Seattle Bronze

The standard trappings of city life are a little surprising after a year spent in rural New York. Even this mild-mannered cab (particularly a Crown Victoria) looked like it had been placed by the crew of an about-to-begin film set.

Seattle Cab

The cheek-to-cheek connection of port and industry with everyday life surprised me the most. Ferris wheels and giant cranes share the water.

Seattle Wheel

Portland Pearl Aurora

This is more than a vibrant, glowing, living moment of late-night city life from the Pearl District of Portland, Oregon; this picture is the first I’ve ever processed with a new piece of software, Aurora HDR. It was processed only with Aurora, with no other fiddling in other programs. (As you may know, I’m typically a die-hard Photomatix+Photoshop workflow guy.) I’m not sure what place Aurora will have in my workflow long-term, but I have to at least say this: its noise reduction algorithms are by far the best I’ve ever seen. (Noise is the main enemy of good HDR shots.) I’ll bring you a longer report when I’ve had more seat time with it.

Portland Pearl Aurora