Rear Window

Different types of lighting (e.g. incandescent, fluorescent, sodium vapor, mercury vapor…) produce light of different colors. Though that’s pretty common knowledge, mixing lighting types in one picture can have striking effects and add color to scenes that might be drab in daylight. I say, “scene,” because this picture strikes me as a bit cinematographic–or perhaps even like the set of a play. I can just imagine Sharks and Jets preparing to rumble around the corner…

Rear Window

Berkeley’s North Gate at Night (And Happy New Year!)

Here’s a shot where the power of HDR photography is really evident. We have regions, like the street lights and the lights on top of the gate, which are over-illuminated and other regions, like the trees and the texture of the gate pillars themselves, which are under-illuminated but when you apply some tone-mapping you get a great image where you bring out the cool lighting while still picking up the cool little details.

The North Gate at Night

Christmas Purple

Though the suburbs can be an ugly place, at times, there’s no time when they become more attractive than the Holiday season. I was particularly fascinated by the way the individual red, blue, green, and yellow lights in the front porch of this house blended together to dye the whole scene violet. It speaks to the spectroscopic subtleties of Christmas lights that a similar display in the adjacent house produces very different results.

Christmas Purple

Bowles Hall, a.k.a. California Hogwarts

UC Berkeley’s Bowles Hall holds the distinction of being the oldest dormitory on campus, and probably the most durable; despite a huge variety of attempts to dismantle it or convert it to other purposes, the hall and its fraternity-esque traditions remain.

Designed by George Kelham, it also happens to be one of the most beautiful buildings on Berkeley’s campus. I’m a particularly huge fan of California Gothic and the way concrete is used in place of stone to similar, but cleaner, effect. The ability of HDR tone mapping to capture that texture without losing the detail in the windows is a great demonstration of the technique for a practical, as well as artistic, purpose.

Bowles Hall

Sunset Creek Grass

On Christmas day, I had a chance to walk through a forest preserve outside Chicago. The sun was setting as I stopped by the side of this creek, and I loved the way it lit up the stalks.

It’s also refreshing to have proper clouds in my photographs; there are so few well-defined clouds in California that the sky can look a bit boring. That’s rarely the case in the midwest.

Christmas Creek

Pacifica Pier

On a chilly Christmas Eve, it can be nice to think back to warmer times. I thought I would continue from Brendan’s shot over Puget Sound and post a shot from the beach. A few months ago, I was lucky enough to go crabbing with some friends in Pacifica, CA. The pier was absolutely packed with fishermen and all of the contraptions used to get crabs. I was most struck, however, by the hexagonal cross section of the pier itself, and the great rust colors next to the water.

Pacifica Pier

Sunset Over San Francisco, Round I

Grizzly Peak, in the hills above Berkeley, is a great spot to get photos of San Francisco–if the weather cooperates. Though it was a bit foggy on this particular day, it afforded a great chance to see some interesting shadows. San Francisco itself is just visible beneath the sun.

This is also a great instance of just how useful HDR can be, as a technique; sunset images without tone mapping typically require the foreground to be completely silhouetted.

Sunset Over San Francisco I