The Fall and the Pool

A year ago, I stood atop this waterfall in the corner of Connecticut, relaxing and hiking in the last few days before I traveled north to Canton to begin the faculty life. There are three things that this image captures:

  • So many waterfall pictures use a long exposure to smooth the water into some blurry, surreal, Platonic ideal of flow. The effect might be pretty, but that effect is also a lie about the true experience of the crashing and splashing. Let’s get some spray in here!
  • Poetically standing atop a waterfall in a wood, with a calming pool nearby, seems to me less a cliché than something that is consistently authentic across the American experience.
  • Nostalgia may power a lot of my images, but it’s a force that only works retroactively. I would feel very different about the image if I’d promptly slipped and trashed my camera. Can that “dodged danger” exist within the image itself?

The Fall and the Pool

Quiet Kill

The “real-world Zen garden” effect of northwestern Connecticut at the end of November was just the calming experience I needed: after a busy semester, stopping for a moment by the edge of slow stream, standing among the red, crinkly fallen leaves and short grasses, and feeling the wind lift puffs of snow from the rocks to my face.

Quiet Kill

American Zen

Muir Woods astonishes and tempers with its beauty, but I had trouble avoiding the feeling that it was all a bit manicured and controlled by man. At first, that disappointed me. When I thought back to some of the gorgeous Zen gardens I’ve visited, however, I realized that curated natural beauty can be just as spectacular and authentic as true wilderness. The gentle drizzle between sequoias and down into the creek is the American version of the Zen garden.

American Zen