HDR Photography
When my brother was in kindergarten, he made his fort in a small section of densely wooded area on our property. He called it, as any five-year-old would, “The Spooky Wood.” When the leaves fell, it lived up to its name. The tangle of fallen limbs and scarred trunks was impenetrable to all but him; he know the way through the cellulosic maze. Finding this mysterious shed with its epic light amid a North Country tangle, I couldn’t help but be reminded of my brother’s long-abandoned hideout.
In the rest of the world, it’s almost April, but in the North Country it still looks (and feels) like winter. The land and the people and the houses and the barns are battered by the weather, and when spring arrives we’ll repair and recover and regenerate.
A Saturday special: it’s still winter in the North Country (basically). Though I took this shot a couple of weeks ago (during the true depths of North Country Winter), it still surprisingly evocative of the current climate. Those first hints of light (and spring to come) are just starting to force their way through!
Having recently finished the fantastic Bioshock Infinite, I’ve had images of early-twentieth-century American exceptionalism floating through my brain. No matter what you think of the (sometimes questionable) policy decisions based on such a policy, the iconography is undeniably seductive. Neoclassical design features and waving flags on a crisp Sunday afternoon! Though this moment on St. Lawrence’s campus might not be literally of that time, the spirit of it was overwhelming.
Through the long North Country winter (my favorite theme, of late), there are few activities more fun than bombing along empty back roads in my Mini. Camera on the seat next to me, tripod in the back, and gnarly snow tires beneath me. Adventure and strangeness and exploration: there’s always another road I’ve never before ventured down. In this photograph, I capture the experience: crusty Mini, open field, and the beginning of a lovely sunset.
Taking a temporary aside from Africa (and the warm/rainy weather of weird northern New York), here’s an image from the Zen garden just after the most recent blizzard. I haven’t done much work in black and white photography since high school, but this was a case of contrasting textures and tones that just demanded it. The rough, dark brick and stone dressed by puffy snow seemed poetic almost to the point of (again) cliché—so I went with it.
A “casual blizzard” hit the North Country this weekend, and after I excavated around the house, I went exploring. St. Lawrence’s Zen garden was looking particularly peaceful under its (pardon the cliché) blanket of snow. The tiny structures seem to amplify the effect.
November snow can’t hold the title “unseasonable” in Canton, New York, but it adds a gentle blanket to the campus, just the same. The soft dusk ceiling of pastel clouds and the quiet campus converge at the end of the day.
Perhaps my last post in the cozy, wood-lined chambers of Timberline Lodge put me in mind of winter excursions. From the windy top of Lion’s Head in northwestern Connecticut, the view of three states is incredible. The snow clings to branches from a recent storm, and a few wisps of cloud mark the horizon in an otherwise azure sky. This snowsuit caught my eye, and I particularly liked the way only a single hand of human being is visible, poking out from the bundled layers.
When winter alights on the Northeast, there’s a quiet stillness that seeps through the land and makes the world feel underpopulated. That birds, so small and delicate, still fly in this stillness amazes me.
This hill in northwestern Connecticut is, tragically, not really named “Dragon Mountain.” That never kept my elementary-school-aged self from calling it that. The way it rises, green and different, from the surrounding winter landscape brought to mind Smaug, sleeping under the mountain. At age seven, I half-wished that it would awaken and soar above the miniature houses below.
During the blazing August heat, looking back to winter pictures leads to the oddest “time machine effect.” As you can see from the rapidly filling tire tracks in the driveway, we barely made it home ahead of what turned out to be a fierce storm. The comfort of “I don’t have to go out there” is so amplified when standing on a perfect porch, next to the door to a cozy house, and seeing the frozen, dark contrast in the graveyard across the way.
In the dead of winter, the rocks and trees and streams of northwestern Connecticut are a textured but monotone canvas. In this photograph, I’ve only exaggerated the stark difference between the dormant surroundings and the bright red of the small barn-like structure perched at the creekside.
This one’s another from my trip to Obergurgl this past fall and comes from a short hike just beyond Obergurgl proper. The trail was a bit icy and snowy in bits and the three of us weren’t super well equipped for the terrain but man were some of the vistas spectacular, looking up at peaks like this one, or down toward rivers at the bottom of the valley we were flanking.
In the hills of northwestern Connecticut, little compounds dot the landscape–the remnants of centuries-old manufacturing or artists’ collectives. The dusk-laced sky and the craggy-tree skyline combine to produce a lovely picture of New England Americana.
Decaseconds 