HDR Photography
To the adults at the beach, it was December: the light was fading fast, the wind was a bit chilly, and every surfer had a wet suit. To the kids, though, it was summer. A day at the beach is always a slice of summer, with the wave splashes and ambitious sand construction projects to prove it. With the camera down at “kid height,” the beach stretches on forever and I faced a contest in which serious consideration was given to who had created the most imposing edifice.
Here we’ve got a shot of the construction on the new eastern span of the Bay Bridge as shot from Treasure Island with the port of Oakland in the background.
UC Berkeley’s student machine shop has a truly fascinating collection of old machines that are still fantastically useful. (I’ve posted on it before.) This particular photograph is of a lathe’s controls–both those for moving the tool bit relative to the metal as well as those for the automatic feeds.
When everything I work with in the laser lab is computer-controlled, it’s refreshing to work with a machine that works entirely from a clever design of gears and cogs. There’s a solidity and strength in a device that is completely independent of interference from microprocessors.
In keeping with my theme for the past week I’ve got a shot of a bright red flower. With their fantastic bright red color of the petals and the black markings in the center these flowers were just begging to be photographed. If anyone’s got any idea what kind of flowers these are I’d be interested to find out.
The Bay Bridge connecting Oakland and San Francisco is actually a pair of bridges, resting for a moment on the island of Yerba Buena. Attached to Yerba Buena is the ironically-named Treasure Island, a man-made island composed entirely of fill. From there, photographing either the East Bay or San Francisco itself works out quite nicely. Today’s shot of the western span of the bridge has a bit of the unlit Yerba Buena outcropping on the left and the hyperintense lights of AT&T Park (home of the SF Giants) under the bridge. On this particularly clear night, I was thrilled to be able to capture it all without a thick slathering of fog.
Berkeley is completely filled with lemon trees bearing fruit which largely goes to waste. But what is a shame for the tree owners is a great thing for photographers because the texture and color of the fruit really pops against a beautiful blue sky on a beautiful sunny afternoon.
Berkeley has a Student Machine Shop, and my scientific experiments would never get off the group without it. I’ve lost track of the number of times that I’ve needed a part that has never before been made–I can only imagine in my mind what I need. I make some preliminary drawings, and I head up to the shop to machine this fantasy part from aluminum or, more rarely, steel. To see that form from my imagination slowly becoming reality is one of the most exciting experiences I’ve ever had. (It’s probably worth noting that I started as a sculptor before transitioning to photography.)
This particular photograph is of a milling machine, used to make planes, grooves, and holes in metal. In many ways, it’s a lot more flexible than a lathe (the other ubiquitous machine shop tool), but also a bit more threatening looking.
I found this little guy sunning himself near the Imagery Winery in Glen Ellen. Here the lighting was good enough to put together a single shot pseudo-HDR shot, really bringing out all of the interesting details in the rock and the scales of our little lizard friend here.
A very popular plant in Berkeley, the Calla lily also makes a pretty respectable photography subject.
Today, I’m posting another photograph of UC Berkeley’s greenhouses at their Oxford Research station. This area has a bizarre mix of well-maintained, modern facilities along with others that look as though they haven’t been touched since the 1960’s. The vibe reminds me a bit of certain levels in Portal 2. More than anything, it’s amazing that I was able to stand around in the parking lot of this fascinating place for 20 minutes taking photos.
I’ve always loved the little details of a gorgeous house–the tiny trim pieces, or the leaded glass windows. This particular shot reminded me of playing in the yard as a child. In the winter time, the sun set before dinner, so when the time came to head in, the house had this unearthly blue glow that made the warm light from inside so much more inviting.
Normally I’d have thrown a shot like this away as its no good for HDR (there are no details to enhance, only shadows) but looking at it and playing with the white balance and composition a bit I think I like the effect. There’s a sense of grand scale here with the top of the bridge emerging from the haze and with the infamous Alcatraz in the foreground.
This shot of a surfer in La Jolla, CA is another from near the Scripps pier that I featured previously here. The contrast between the reflection on the sand and the rough, concrete pier turned out pretty well, by my favorite part is also the one over which I had the least control: the surfer (and her brightly-colored board) just happened to be walking by. The whole scene just felt so classically “Californian.”
This sculpture is frequently photographed (as a quick search of Flickr will reveal) but with all of the recesses and light and dark it’s a natural subject for some HDR photography. There will almost certainly be more to come of this one in future posts.
The clouds finally cooperated while I was driving past a beach outside San Diego. I was chuffed at the degree to which the clouds matched the curvature of the hillside. The blue sky also makes a pretty stark contrast with the dull browns of winter-time southern California.
Decaseconds 