HDR Photography
In the past, I’ve documented the slightly sinister feel of Canton at its most David-Lynchian. Here again, the lights of Main Street are friendly and inviting, but with that edge that small towns have. I can’t wait to see it carpeted in snow—the ambience changes again.
This one’s a little different, here I was playing around with a pinhole on my Canon T3i. This is actually a manually measured 3 shot HDR pinhole photo of a bridge on Cal’s campus. Composing this shot was a bit of a challenge as really the only way to judge composition is to take a long exposure (in this case not that long with the help of very high ISO settings). Processing it was also a bit of a challenge as the amount of change in the lighting over the duration of the three exposures created really weird looking highlights. Still, the peculiar kind of “lo-fi” quality is neat, and I’ve been experimenting with landscapes where the reduction in detail is less noticeable.
There’s something about the lighting and the way it plays off the curved hand rail that reminds me of a dystopian future in one of Neal Stephenson’s novels or of disembarking from a futuristic space port.
The lighting on this particular evening on San Francisco’s waterfront was spectacular and created this interesting effect as if the handrail on this pier were illuminated. It makes the Bay Bridge seem much more futuristic if you ask me.
In the evenings San Francisco’s Coit tower is illuminated creating a pretty spectacular effect.
OK, so not a real spaceship but it does sort of look like something out of an episode of Dr. Who, doesn’t it? I caught this one in downtown SF the other evening. The lighting on the building really caught my eye but only once I was directly underneath it. I captured this shot, which I think is very interesting to look at, and thought I’d share.
Decaseconds 