After Christmas

One of my earliest posts displayed the surreal beauty of Christmastime in the frigid suburbs of Chicago; given that much of the country is experiencing the balmy joy of summer, I thought a wee reminder of chillier times might be appropriate. (This photograph also continues what has apparently become a series, “Trees Next to Buildings.”)

After Christmas

Rain on the Plaza

Today’s image is the result of a little experiment I did, in which I limited myself to shooting only with a simple prime lens. This is perhaps my favorite image that stemmed from the experience: Berkeley’s historic Lewis Hall on a rainy afternoon. The reflections from the wet concrete buildings, the grid of the plaza’s brick pattern, and the intricate array of the hall’s windows combine to produce such a strong sense of place. In contrast with these hard, angular, man-made structures are the curves of the redwood trees. Would the picture have been better, had I taken it with a wide-angle zoom lens? I’m really not sure.

Rain on the Plaza

The Edifice

This is the imposing Latimer Hall in UC Berkeley’s College of Chemistry. On this stormy afternoon, the sky and the bare tree and the building itself all took on this similar cast, but with such radically different textures and shapes. If you look carefully, the cracks and stains under each balcony level begin to resemble the geometry of the tree.

The Edifice

The Neighbors

I’ve always loved the little details of a gorgeous house–the tiny trim pieces, or the leaded glass windows. This particular shot reminded me of playing in the yard as a child. In the winter time, the sun set before dinner, so when the time came to head in, the house had this unearthly blue glow that made the warm light from inside so much more inviting.

The Neighbors

Sunset Over San Francisco, Round I

Grizzly Peak, in the hills above Berkeley, is a great spot to get photos of San Francisco–if the weather cooperates. Though it was a bit foggy on this particular day, it afforded a great chance to see some interesting shadows. San Francisco itself is just visible beneath the sun.

This is also a great instance of just how useful HDR can be, as a technique; sunset images without tone mapping typically require the foreground to be completely silhouetted.

Sunset Over San Francisco I