HDR Photography
So often in suburbia, the facades of buildings are a bit boring and a couple of designs feel ubiquitous. The back of a commercial property, though, has been given over to this hyper-utilitarian aesthetic that is a much more interesting subject. A couple of security lights cast the some of the best shadows.
The Napa and Sonoma vallies are just filled with an odd mixture of beautifully manicured lawns and working farms, sometimes even coexisting on the same property. This embodies the reality of viticulture, that it all starts in the fields.
Pictured here I’ve got a picture of the Ram’s Gate Winery on a beautiful spring day. The nice cloud detail and blue skies are contrasted with the simple architecture and field in a, I feel, particularly compelling manner.
Christmas in the Hill household used to mean a big roast. This year, though, the allure of a perfectly-marbled ribeye overcame us, and we fired up the grill on a 20-degree Chicago evening. The flying sparks from the drippings were really captured in the HDR shot. There’s always something particularly strange and foreign in the quickly-varying flames when different brackets are composited together.
Here again we have a shot of the San Francisco skyline, this time from Treasure Island including the interesting Transamerica Pyramid.
To the adults at the beach, it was December: the light was fading fast, the wind was a bit chilly, and every surfer had a wet suit. To the kids, though, it was summer. A day at the beach is always a slice of summer, with the wave splashes and ambitious sand construction projects to prove it. With the camera down at “kid height,” the beach stretches on forever and I faced a contest in which serious consideration was given to who had created the most imposing edifice.
Here we’ve got a shot of the construction on the new eastern span of the Bay Bridge as shot from Treasure Island with the port of Oakland in the background.
UC Berkeley’s student machine shop has a truly fascinating collection of old machines that are still fantastically useful. (I’ve posted on it before.) This particular photograph is of a lathe’s controls–both those for moving the tool bit relative to the metal as well as those for the automatic feeds.
When everything I work with in the laser lab is computer-controlled, it’s refreshing to work with a machine that works entirely from a clever design of gears and cogs. There’s a solidity and strength in a device that is completely independent of interference from microprocessors.
In keeping with my theme for the past week I’ve got a shot of a bright red flower. With their fantastic bright red color of the petals and the black markings in the center these flowers were just begging to be photographed. If anyone’s got any idea what kind of flowers these are I’d be interested to find out.
The Bay Bridge connecting Oakland and San Francisco is actually a pair of bridges, resting for a moment on the island of Yerba Buena. Attached to Yerba Buena is the ironically-named Treasure Island, a man-made island composed entirely of fill. From there, photographing either the East Bay or San Francisco itself works out quite nicely. Today’s shot of the western span of the bridge has a bit of the unlit Yerba Buena outcropping on the left and the hyperintense lights of AT&T Park (home of the SF Giants) under the bridge. On this particularly clear night, I was thrilled to be able to capture it all without a thick slathering of fog.
Berkeley is completely filled with lemon trees bearing fruit which largely goes to waste. But what is a shame for the tree owners is a great thing for photographers because the texture and color of the fruit really pops against a beautiful blue sky on a beautiful sunny afternoon.
Decaseconds 