HDR Photography
Brendan and I have both posted before on how fantastic night shots look in HDR. Today’s photograph comes from Grizzly Peak, looking down over Lawrence Berkeley National Lab and the South Campus area of Berkeley; the contrast between these two areas couldn’t be more stark. LBNL is flush with trees and tiny pockets of light along gently curving roads, while Berkeley itself is a foreign grid by comparison.
This is another example of how Berkeley’s campus can fool you into thinking its not in an urban/suburban setting. The wooded groves on the banks of Strawberry creek are some of the most picturesque places on campus. This a Eucalyptus grove on the northwest side of campus with Strawberry creek in the foreground.
While I’ve posted a few close up shots of flowers on the blog so far this is my first attempt at a multishot HDR shot of flowers. I’m really impressed with the results.
This is one of the earliest HDR images I ever took, and though I was still getting a few of the details worked out, I really loved the way that the reflection of the sun from the building’s windows was captured at sunset. The clouds and the soft forms of the hills make a nice contrast with the buildings of UC Berkeley.
With a few exceptions UC Berkeley has a very pretty campus architecturally. In particular I am a fan of the older buildings because, well, they just look so academic. Stephens Hall in particular looks like I imagine a building on an old university looks. On the south eastern side of the building, where this photo was shot, there is a particularly peaceful little grove with a creek running through it (which was previously featured). The effect is that you are removed from the hustle and bustle of the bay area.
Not all of Berkeley’s water ways are quite so picturesque as my previous post. I think this picture really captures the essence of Berkeley: a mixture of urban and natural elements. The contrast of the graffiti and cement tunnel with the overgrown ivy and the creek, just outside the Berkeley Faculty club, really sums this up.
There are some truly spectacular spots on UC Berkeley’s campus including this spot just outside Stephens hall, a quiet place beside a babbling brook to escape from all of the undergrads shuffling between classes. I took this shot around sun down and captured this shot which makes it look like the creek is on fire.
Walking residential streets at dusk transforms the most mundane environment into a magical place. The incandescent lighting tumbles from the houses along with the smells of dinner. I found this particular house, with its gorgeous jungle of a front yard and perfect proportions, to be the most welcoming.
Some buildings really have a face of their own. This image is from the northern part of Berkeley; I love how obviously the street is slanted. Still, the lobby looks quite warm and inviting (particularly on the night I took this image; the drizzle was a bit unpleasant.)
I’ve previously posted a handful of images from UC Berkeley’s student machine shop. (I even did a recent post for the Berkeley Science Review, where I talk a bit more about why I love this place.)
Today’s photograph is of the wall of that shop with its endless array of bits and blades for the plethora of machines that require them. Clicking through to view the full-sized image is particularly rewarding; each of those little strips of color is a label, put in place decades ago, describing the bit type and size, along with taped-up charts of conversion factors and tiny tutorials on how to use it all. Even a single drill bit is patterned with a mosaic of dents, dings, and damages that tell a story of the countless times it has been used; to see so many together, in one place, tells a story of generations of scientists working their damnedest to convince their experimental apparatuses to cooperate. More than plaques on a wall or papers in a file somewhere, this is the real testament to scientific achievement.
So often in suburbia, the facades of buildings are a bit boring and a couple of designs feel ubiquitous. The back of a commercial property, though, has been given over to this hyper-utilitarian aesthetic that is a much more interesting subject. A couple of security lights cast the some of the best shadows.
UC Berkeley’s student machine shop has a truly fascinating collection of old machines that are still fantastically useful. (I’ve posted on it before.) This particular photograph is of a lathe’s controls–both those for moving the tool bit relative to the metal as well as those for the automatic feeds.
When everything I work with in the laser lab is computer-controlled, it’s refreshing to work with a machine that works entirely from a clever design of gears and cogs. There’s a solidity and strength in a device that is completely independent of interference from microprocessors.
In keeping with my theme for the past week I’ve got a shot of a bright red flower. With their fantastic bright red color of the petals and the black markings in the center these flowers were just begging to be photographed. If anyone’s got any idea what kind of flowers these are I’d be interested to find out.
Berkeley is completely filled with lemon trees bearing fruit which largely goes to waste. But what is a shame for the tree owners is a great thing for photographers because the texture and color of the fruit really pops against a beautiful blue sky on a beautiful sunny afternoon.
Berkeley has a Student Machine Shop, and my scientific experiments would never get off the group without it. I’ve lost track of the number of times that I’ve needed a part that has never before been made–I can only imagine in my mind what I need. I make some preliminary drawings, and I head up to the shop to machine this fantasy part from aluminum or, more rarely, steel. To see that form from my imagination slowly becoming reality is one of the most exciting experiences I’ve ever had. (It’s probably worth noting that I started as a sculptor before transitioning to photography.)
This particular photograph is of a milling machine, used to make planes, grooves, and holes in metal. In many ways, it’s a lot more flexible than a lathe (the other ubiquitous machine shop tool), but also a bit more threatening looking.
Decaseconds 