Daniel Deusser in the Spotlight

The camera hardware required to get a pin-sharp image of a horse galloping at the center of a spotlight in a darkened indoor stadium has never been more accessible, but it serves as a bit of a contrast to Friday’s post: At the end of the day, raw numbers of photons entering through a big aperture to a large sensor can’t be beat.

Daniel Deusser in the Spotlight

Even the Parking Garages Are Utopian in Belgium

I commented previously that the Benelux countries look like the cinematic vision of utopia, but I was not perhaps ready for that to extend to structures like parking garages. When the option to be beautiful and interesting exists, the alternative seems a bit insulting.

Even the Parking Garages Are Utopian in Belgium

Jumping Action from the VIP

Though dramatic shots of jumping horses are ubiquitous in the equestrian world, I think ones that present them in the context of the setting, alongside the audience and with a real sense for the space, are somewhat rarer. Kim Thiry ring Quick Silver can het Farasohof was in the Jumping Mechelen CSI2* right next to the VIP audience who could have reached out and touched the last jump in the course.

Jumping Action from the VIP

Turn and Burn

This CSI5* speed class pushed riders to their limit; few managed the entire course with neither rail nor speed penalties. I was capturing photographs from the last turn in the course, where riders who were still jumping clean turning to blast down the final line to the finish. Watching them put on a final burst of massive speed was dramatic, as in this case with Hans-Dieter Dreher and his mount Jiniki.

Turn and Burn