William Gibson’s novels—particularly the latter ones—are deeply interested in questions of design and constructed environments. That, combined with his characters’ globe-trotting tendencies, means that richly described hotel lobbies figure frequently into his works.
I’m a bit of a great hotel lobby fan myself, so the plant-filled glass space at the front of Dublin’s The Green Hotel immediately grabbed my attention. What a cozy space, sure—but the modern touches make me feel I’m more likely to rendezvous with a spy than slowly slurp a warm beverage.
Decaseconds 