Continuing on the Ottawa theme, today’s image is much farther to the other end of the “clean——dirt” spectrum than my last. There’s something about the grimy copper colors of the bridge, the salty road, and the slushy sidewalk that speak to an alternate-reality, Judge-Dredd-esque, cyberpunky Canada.
Visiting Ottawa often means a visit to the surreal and somewhat overwhelming Château Laurier. The outside of the hotel, I’ve noted previously, is pretty impressive; the interior doesn’t disappoint, either. For all the polished-floor touches and deep wood paneling, I find the most charming (and perhaps old-school Canadian) feature of the scene is the portrait of Winston Churchill.
Wandering around Ottawa’s Parliament Hill, I kept waiting to find a security checkpoint and guards with assault rifles; I guess I never got far enough before I had to swing back to my chemistry conference. The combination of Gothic architecture with the modern buildings of Ottawa’s skyline, and with the tiny technotouches of modern security systems, made for a delightful combination. This is our science-fiction present, I suppose.
The heart of Ottawa clusters Neo-Gothic architecture around Parliament Hill and the canal. Whether hosting a Lupin-III-esque heist or serving as the perfect setting for a James-Bondian escape scene, it’s hard to shake the imagined adventures of speed boats and thugs on motorcycles negotiating the steps of the lock system
The Ottawa Convention Centre’s fantastical facade of fenestration is a lovely example of the way a pattern of triangles can be assembled to form all sorts of other surfaces with complicated geometries. From the standpoint of symmetry and group theory, it’s quite elegant; from the standpoint of a passer-by on the street, it seems a bit sinister.