I swear that this shot is a candid: no posing or planning went into the moment. A little image of American aristocracy, expressed as Anglophilia: the thick hedge, the English riding garb, the friendly pony ears, the quiet attention. The cover of some future magazine, perhaps?
Though I don’t often show my photography from the people/photojournalism/street mode, I couldn’t resist this image of Mario Deslauriers and clan at the Lake Placid Grand Prix in Lake Placid, New York last summer. The dark greens and stark whites, with the bokeh’ed horse in the background, meld to a vibe that I would call “fresh.”
This frozen moment of energy and will and concentration captures Lillie Keenan in the Grand Prix at the 2013 Fairfield County Hunt Club June Benefit Horse Show. Though it’s the incredible 2-meter jumps that really capture the attention in these events, for my moment, it’s the rocket acceleration leading up to a jump that makes for far more drama.
Waking up early on a cold morning can be tough, but riders never seem to have trouble getting up for a show. (Caffeine seems to help!) I loved the moment of calm and intimacy between horse and rider in this particular image, and the comfort it conveys.
The combination of chestnut horse and bright red Coke can also goes a long way to making the scarlet and brown St. Lawrence color scheme appealing.
Here’s a little (huge panorama) teaser from an upcoming story I’ll have in Horse & Style Magazine, covering the barn and home of Olympic gold medal winner Beezie Madden. I was particularly enamored with this shot of the indoor ring, distorted to a fantastical shape by the panorama process. With all of this wood and wide beams, I can think of nothing more than a Viking longhouse (built at horse-scale, of course.)
For my 500th Decaseconds post, I’m bringing you some photos from the Pony Finals at the Kentucky Horse Park outside Lexington. The weather was fully as humid and sunny as the southern Midwest is fabled to be at the end of July, and these three images capture the different aspects of the place. This first image, of the model, captures the form and uniform (so to speak) that rigidly controls the event.
This image, on the other hand, shows one of the folks working behind the scene. Given his surf-ready hair, blue wayfarers, and general air of authority, I call this image “Bro-thority.”
Feeling a bit of the black-and-white mood at the moment, I wanted to bring in this shot of a pony at Stonewall Farm in Ixonia, Wisconsin, that focuses on the textures of ice-encrusted hair and big, friendly eyes.