Along Canton’s Grasse River are all kinds of back yards. This particular one is so small and idyllic in the evening that I just had to capture it when I was out with my f/1.8 prime lens. I think the narrow depth of field it provides produces a nice miniature/diorama-like effect. Is it a real back yard, or is it a part of someone’s model train set?
In the already quiet and calming Nitobe Memorial Garden, this particular corner is the quietest and most calming of them all. At the back of the garden, where few other visitors go, is this tiny fenced-off area. Though this yard is actually adjacent to the ceremonial tea house, I much prefer imagining that an elderly couple lives here, and will be out to tend the garden shortly.
Here’s the exciting secret of photographing the Golden Gate Bridge: because of the cruel nature of geography, there is exactly one bluff from which to get reasonable pictures of the bridge. Greater than 80% of all Golden Gate Bridge photographs in existence are from the same place (with another 10% coming from the city side.) On any given evening, you’ll see dozens of photographers clustered in the Marin Headlands, set apart only by small differences in compositional preference.
The most interesting thing I discovered in taking pictures of the Golden Gate Bridge, however, was that there is an enormous fence corralling the area. Just as most pictures use a similar angle to incorporate most of the bridge, most pictures also carefully crop away this fence. There are also myriad holes in the fence where rebellious souls have cut spots to poke their lenses through. I was most interested by the interplay of the curving fence links with the solid, glowing form of the bridge. In a way, I think today’s shot paints a truer picture of the sometimes compromised (but always gorgeous) experience of photographing the Golden Gate Bridge.
The previously featured Robert Sibley Regional Volcanic Preserve is apparently home to a small herd of cattle. This came as some surprise to us while were having a stroll through the park when we came upon a small pen filled with cattle and their calves, including this one who came around to figure out what we were all about.
So often in suburbia, the facades of buildings are a bit boring and a couple of designs feel ubiquitous. The back of a commercial property, though, has been given over to this hyper-utilitarian aesthetic that is a much more interesting subject. A couple of security lights cast the some of the best shadows.