Jamaica Bay to Manhattan

Departing JFK International Airport over Jamaica Bay, with the Manhattan skyline glittering in the sunrise, brings to mind my favorite topic: the gradient between dense urbanization and “wilderness.” If there’s a consistent theme to my photography, it’s the desire to capture this gradient in a single image (as I sometimes have in other settings.) Even my wide angle lens couldn’t capture the whole scene, but here’s One World Trade Center and the Empire State Building alongside the wetlands of Jamaica Bay, with New Jersey and Brooklyn buffering and smoothing the divide to a gradient.

Jamaica Bay to Manhattan

Portland Koi

A photograph should “work,” should have meaning, in isolation. I suppose that really means that it should work without any context other than shared culture. Without my words, you can know that this is a Japanese Garden (though perhaps not in Oregon), know that it’s an artificial simulacrum of some elegant natural setting—but can the sense of calm in being in that place be conveyed by the image? (I suspect that this aspect might be the easiest to convey.)

Portland Koi

Kayaks in Autumn II

In the past week, I’ve explored the Adirondacks in autumn. This particular setting (just across the street from last week’s sea plane) is another irreducible representation of the glassy water, expansive sky, and intimate beaches of the region. Though we’re officially into fall, I’m pretty confident that these canoes and kayaks are going to see at least a few more weeks’ use. (Will they be dodging icebergs eventually?)

Kayaks in Autumn II

Sinister Colors on Stone

I want to contrast the bright fall colors from my last post with the broad spectrum of colors that can originate from different types of light sources used by humans every day. Where better than the neutral-colored stone of the Cathedral of Learning? Magentas, greens, warm yellows: emission and reflection can both offer a rich array of photons.

Sinister Colors on Stone